PDF Ebook A Man in Full: A Novel, by Tom Wolfe
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A Man in Full: A Novel, by Tom Wolfe
PDF Ebook A Man in Full: A Novel, by Tom Wolfe
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Amazon.com Review
Ever since he published his classic 1972 essay "Why They Aren't Writing the Great American Novel Anymore," Tom Wolfe has made his fictional preferences loud and clear. For New Journalism's poster boy, minimalism is a wash, not to mention a failure of nerve. The real mission of the American writer is to produce fat novels of social observation--the sort of thing Balzac would be dishing up if he had made it into the Viagra era. Wolfe's manifesto would have had a hubristic ring if he hadn't actually delivered the goods in 1987 with The Bonfire of the Vanities. Now, more than a decade later, he's back with a second novel. Has the Man in White lived up to his own mission? On many counts, the answer would have to be yes. Like its predecessor, A Man in Full is a big-canvas work, in which a multitude of characters seems to be ascending or (rapidly) descending the greasy pole of social life: "In an era like this one," a character reminds us, "the twentieth century's fin de siècle, position was everything, and it was the hardest thing to get." Wolfe has changed terrain on us, to be sure. Instead of New York, the focus here is Atlanta, Georgia, where the struggle for turf and power is at least slightly patinated with Deep South gentility. The plot revolves around Charlie Croker, an egomaniacal good ol' boy with a crumbling real-estate empire on his hands. But Wolfe is no less attentive to a pair of supporting players: a downwardly mobile family man, Conrad Hensley, and Roger White II, an African American attorney at a white-shoe firm. What ultimately causes these subplots to converge--and threatens to ignite a racial firestorm in Atlanta--is the alleged rape of a society deb by Georgia Tech football star Fareek "The Cannon" Fanon. Of course, a detailed plot summary would be about as long as your average minimalist novel. Suffice it to say that A Man in Full is packed with the sort of splendid set pieces we've come to expect from Wolfe. A quail hunt on Charlie's 29,000-acre plantation, a stuffed-shirt evening at the symphony, a politically loaded press conference--the author assembles these scenes with contagious delight. The book is also very, very funny. The law firms, like upper-crust powerhouse Fogg Nackers Rendering & Lean, are straight out of Dickens, and Wolfe brings even his minor characters, like professional hick Opey McCorkle, to vivid life: In true Opey McCorkle fashion he had turned up for dinner wearing a plaid shirt, a plaid necktie, red felt suspenders, and a big old leather belt that went around his potbelly like something could hitch up a mule with, but for now he had cut off his usual torrent of orotund rhetoric mixed with Baker Countyisms. Readers in search of a kinder, gentler Wolfe may well be disappointed. Retaining the satirist's (necessary) superiority to his subject, he tends to lose his edge precisely when he's trying to move us. Still, when it comes to maximalist portraiture of the American scene--and to sheer, sentence-by-sentence amusement--1998 looks to be the year of the Wolfe, indeed. --James Marcus
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From Publishers Weekly
However the National Book Award judges managed to get hold of Wolfe's much-delayed second novel in time to give it their nod as an NBA finalist, they were quite right to do so. It's a dazzling performance, offering a panoramic vision of America at the end of the 20th century that ranges with deceptive ease over our economic, political and racial hang-ups and at the same time maintains a brisk narrative pace that makes the huge book seem only a quarter of its real length. Balzac had the same gift. The "man in full" of the title (the phrase comes from an old song) is Charlie Croker, a good-ole-boy real-estate developer in Atlanta whose sprawling South Georgia plantation, massive mansion in the best part of town, half-empty skyscraper tower named after himself, horde of servants, fleet of jets and free-spending trophy second wife have left him terribly vulnerable to bankers deciding the party's over. As a former football star, however, the suggestion is put to him that there is something he can do to ease his situation. A black Georgia Tech player clearly headed for greatness may have raped the daughter of one of Charlie's old business buddies. If Charlie can help the city's ambitious black mayor maintain calm, the bank just might be persuaded to ease up on him. Three thousand miles away in California, Conrad Hensley, an idealistic young worker at a warehouse run by one of Charlie's subsidiary companies, fired in an offhand downsizing designed to placate the bank, runs afoul of the law in a farcical parking hassle and is thrown in jail. There, in fear of his life, Conrad absorbs Stoic philosophy from a book his wife has sent him, and, aided by a timely earthquake (sent by Zeus?), begins to turn his life around until the day, in exile in Atlanta, he encounters Charlie. These parallel plot lines, examining with microscopic precision the obsessions, preoccupations, habits and lingo of life at the top and bottom of American society, are both compelling in themselves and resonant with a sense of the vast mystery and comedy of contemporary life in this amazing country. Wolfe is as adept at scenes painted with high satirical glee (Charlie on a quail hunt, or introducing shrinking business guests to an all-out stud performance by a prize racehorse) as he is with horror and pity (his picture of life for Conrad in his California jail is almost unbearably intense). Despite the very occasional longeurs (readers learns more Atlanta geography than they may care to) and writerly tics (Wolfe still can't resist onomatopoetic outbursts), the novel is a major advance on The Bonfire of the Vanities in its range, power and compassion, while retaining all of that book's breathless contemporaneity and readability. 1.2 million firt printing; simultanneous audio from BDD.(Nov 6).Copyright 1998 Reed Business Information, Inc.
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Product details
Hardcover: 742 pages
Publisher: Farrar, Straus and Giroux; 1st edition (November 12, 1998)
Language: English
ISBN-10: 0374270325
ISBN-13: 978-0374270322
Product Dimensions:
6 x 1.8 x 9 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
555 customer reviews
Amazon Best Sellers Rank:
#224,860 in Books (See Top 100 in Books)
I got this book for $1 at a Church Bazaar sale. Since I'd enjoyed Bonfire of the Vanities, I thought I'd give this a try. I postponed reading it because of its massive size. But when I finally dug in, it was hard to put the book down. This book was a LOT of fun to read! One of the two main characters was writ LARGE, because that fit his LARGE lifestyle. The other main character was subtle and intriguing, because that was HIS way of being.The way these two characters came to be together, and the result of that relationship is absolutely hilarious (if not altogether believable). I finish the book being very glad I'd invested the time to read it.
It’s been sometime between my last Tom Wolfe experience (hint-generally an “on the bus†person). This book makes me wonder if I’ve been “off the bus†far too long.Great summer read with memorable characters, adequate mysticism, interpersonal (and personal) conflicts set within the social and political flavor of the “modern†South, in a tale that only Tom Wolfe can fashion to make interesting for 700+ pages.
9.5/10A man converted to stoicism while in prison in Alameda County escapes during an earthquake which flattens the prison and proceeds to travel to Atlanta on the lam, where he in turn converts a bankrupt legendary real estate developer to stoicism as well. Said real estate developer is on the sidelines of a race riot in Atlanta (during the mayoral campaign) caused by a date rape accusation lodged against Georgia Tech's black All-American running back by the daughter of another legendary real estate developer. Stoicism in prison and in the boardroom, the timeless wisdom of Epictetus for all of us dispossessed slaves. Tom Wolfe does it again: I just wish he could have worked some Marcus Aurelius in.Recommended to anyone interested in philosophy, business, prison, or race. I don't know how Tom Wolfe gets this stuff by the censors.
Tom Wolfe knew how to write!I loved Bonfire of the Vanities. A Man In Full has a similar style and starts with similar themes but with emphasis on proud men (some decent, some not) straining against life’s limitations.I wrote “starts†because I had to put this down. Charlie “Cap’m†Croker is almost as despicable and entitled as a certain real life real estate developer we all know. And getting inside of his head and that of poor Conrad was too depressing.
Truthfully this is not my typical read. The detail is overwhelming at times and occasionally got bored.But the sheer beauty of the characters overwhelmed all the reasons why I shouldn’t like it.It compares favorably with “Catcher in the Rye†as a period piece that captures the mood of the time.Bravo!
The characters in the book were interesting and kept me interested in what would happen to them and why. Although a work of fiction nearly everything seemed possible and provided background information and insight into their development and connection. The book left me wanting to read a follow-up book involving the same characters.
There is no doubt that Tom Wolfe is one of the greatest writers on the American scene. This book contains fabulous characters and satire that bites so hard it leaves scars. Many parts of the book are uproariously funny. This novel is a superb vehicle for Wolfe to display his geniuse as a social commentator. A true iconoclast with x-ray vision, style and wit. It was laughable to read those critics who sneered that this book is not "great literature" and that "it won't be studied in literature classes". As one who has suffered through trash like "Slaughterhouse Five" in English courses, I would welcome a serious study Tom Wolfe's magnificent style and form. I think Wolfe has a great deal to teach any student of letters and even of rhetoric. I give the book four out of five stars for two reasons. First, I found the avalanche of bad language in the book very offensive. I don't speak that way, nor does my family, nor do my friends. Granted, it is the duty of the artist to hold a mirror up to the world to capture its reflection. And Wolfe's mirror is squeaky clean wihen it comes to showing us regretable traits of the age, especially the widespread use of swearing and obscenities. Howver, I still don't like reading it and wonder if the bad language was really necessary. Second, the ending is disappointing. There is something unconvincing and unsatisfactory about Croker's final "conversion.". That being said, I confess that if this roller-coaster of a novel would have gone on at the same clip for another 750 pages, I would have joyfully ridden it right to the end.
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