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Product details
Loose Leaf: 816 pages
Publisher: McGraw-Hill Education; 16 edition (April 1, 2018)
Language: English
ISBN-10: 126026260X
ISBN-13: 978-1260262605
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7.8 x 1 x 9.8 inches
Shipping Weight: 2.8 pounds (View shipping rates and policies)
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Get Free Ebook Into the Wilderness: A Novel
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Audible Audiobook
Listening Length: 30 hours and 13 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Random House Audio
Audible.com Release Date: July 28, 2009
Whispersync for Voice: Ready
Language: English, English
ASIN: B002JF13AK
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When I first picked up this book, I didn't realize it was a 'sequel' to Last of the Mohicans. YUCK, I groan, and read it anyways. About 100 pages in I'm toting the book everywhere with me, reading it on coffee breaks, at traffic jams, on lunch hour, before work, after work, during meetings, etc.You get the idea.The story is your typical sweet 'romance' idea. City girl moves to the country to teach school and meets a boy. Only that's where the 'normal' stops and the breathtaking begins.Donati doesn't waste any time. Directly into the first chapter, we meet Elizabeth and her man, Nathaniel. Donati's prose is so compelling that you immediately /know/ how she wants her characters pictured just from a few simple words. Read the opening paragraph again--you'll see what I mean.The characters are what truly make this book memorable. I laughed at Elizabeth's pert words and ready blushes, and could relate to her unfamiliarness in the wilderness. I cried at Nathaniel's earnest charm, his teasing humor, and his steadfast loyalty to his family.This is a book where the 'back-scene' characters shine as well. Hannah is a gem. Many Doves and Runs-From-Bears will have you starry-eyed over their romance as well.I really can't say enough good things about Sara Donati. Usually when I take the time to write a review about a book, it's because I dislike it so much I want to warn the other readers away.I want to warn you TOWARDS this one! Run out to the store and get it. I promise you'll love it.
Loving the characters in this book! For someone who has grown accustomed to the strong character of Claire Randall Fraser in Outlander, Elizabeth Middleton holds my attention, and she gives as good as she gets. Smart, educated, tough, strong-willed, courageous - and she'll kill if she must. In return, she marries a man who compares more than favorably with Jamie Fraser (Outlander): a white man raised as an Indian, skilled in hunting, tracking, living in the wild, accepting of his own responsibility while not denying his wife her own sense of individualism and singular personality. This is bound to remain a favorite for a long time.
I was looking for something to read, and to be honest, the description of this book and the subsequent books didn't seem to appeal to me. BUT I got really desperate for something to read so I just jumped in and bought the bundle of 6 books in this series and I am so glad that I did. I really LOVED these books. There was so much happening all the time that the drama kept me going. I won't compare these to Diana Gabaldon as some may have because for me that is comparing apples to oranges. The only similarity is that they take place in the same time frame. This is a truly great series. Give them a try. I don't think you would be disappointed.
This book has a lot of good going for it: beautiful setting, likeable, distinctive characters, a focus on the struggle of every woman to be respected as a peer rather than property. But as I was reading it, I realized that the story has no real plot. Greed, sexism and racism seem are the drivers of all the action, with little of it making much sense when considered practically. It is only mildly believable that, for example, Richard Todd is at once deeply sentimental about the mountain and sociopathically bent on getting it. Similarly, the brother becomes fixated on taking the mountain from his own sister for purely selfish reasons. While I believe that people can be greedy, sexist and racist to the point that they behave badly, the rationale for these characters' deep hatred doesn't feel believable. That aside, the story is really just an exciting splice of a woman's life.
If you like the "Outlander" books, you will no doubt love this book. It tells of the time, shortly after the Revolutionary War, in up-state New York when native Americans were still trying to fit into the landscape that had been theirs for centuries. The main characters are Elizabeth and Nathaniel. This is their story done with all the color and passion of the times and the setting. I am thrilled to learn that there are 6 books in this series. I am a huge fan of Diana Gabaldon's "Outlander" series. This book is written simarlly. The characters are so richly written that I felt I could easily and happily know them. This historical New York State is inviting and fascinating. Buy this book if you like historical romance. This book delivers. Enjoy!!
I just finished this book.First off, I am a huge Diana Gabaldon fan. I picked this up as a recommendation that I would look it since I love her work.I thought the beginning was choppy-the main character, Elizabeth, seemed a bit prim and proper for my taste. I’m so glad I kept at it though. By the end she has developed into a character I could truly love. But because it took me a while to get into the story, I can only give it 4 starsI bought the rest of the set, if that tells you anything.
This was by far more than just a great book; it was epic and I think I am in love with Nathaniel Bonner. The attraction that Elizabeth fought at first for this man was so cute at first and I loved the way she finally gave into her feelings for him. I never got bored with this book and if I didn't have to go to work I would have kept my head in this book from sunup to sundown. I can't wait to read the rest of the series. It's real, it's everything an epic novel should be.
I found this book recommended as a similar series to Outlander. So to any avid Outlander fans who have read the Outlander series at least twice, I found this series to be lacking. While there are some good historical facts and some romance between the main characters, it strongly lacks the 3 dimensional development of the story line and the characters, as were done so well in all of the Outlander series. I found myself very disappointed in this series. I read the first 2 and then quit halfway through the third book. I think this author is fairly good, but this book and series really missed the mark for me when comparing it to Diana Gabaldon and the Outlander series. I probably should not compare, but that is why I got this book in the first place, as an alternative to more Outlander novels.
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Free Ebook Letters from Russia (New York Review Books Classics)
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Language Notes
Text: English (translation) Original Language: French
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About the Author
Astolphe de Custine (1790-1857) was born at the onset of the French Revolution and died under the Second Empire. His father was guillotined and he and his mother barely survived the Terror. A poet and novelist of slight repute, Custine gained recognition with the publication of the travel books Spain under Ferdinand VII and Letters from Russia, an enduring analysis of the roots and character of Russian despotism.Anka Muhlstein was born in Paris in 1935. She settled in New York in 1974 where she began her career as a writer in French. She was awarded the Goncourt Prize in 1996 for her biography of Custine, and has twice received the History Prize of the French Academy.
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Product details
Series: New York Review Books Classics
Paperback: 640 pages
Publisher: NYRB Classics; 1st Edition edition (March 12, 2002)
Language: English
ISBN-10: 0940322811
ISBN-13: 978-0940322813
Product Dimensions:
5 x 1.4 x 8 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#665,593 in Books (See Top 100 in Books)
How can I comment on an author's work who was ahead of his time? A first description ever to be written about Russian society and government. It has been re-translated within the past 10 years and I'm sure that most Russians still have never read it or know of its publication. No other western writer has authored a novel that was able to illustrate all of Russia. The book was prohibited from circulating in Russia at least two times because of the author's true account and how he observed life in Russia. I admire the author greatly on his attempt to illustrate the "people of the north" through his many accounts and interactions while he traveled between Moscow to St. Petersburg and to outlying regions inthe north. He was one of the only western authors to have an "ear" of the Tzar and his family at that time. Yet, he not only observes imperialism and the noble gentry, it was the observation of the commoner; working class, and peasantry societies that evokes a clear picture of 19th century Russia. I learned a lot about the author's recount of the living conditions and the travel conditions that I have not read previously. Some of his stories were very comical while others were just haring to read!Although at times, the author is repetitive and some of his "letters" are quite long, he is quite foretelling that the Russian character; is more one of follower than leader, a life of servitude rather than liberty. It is really remarkable how one person can describe the character of a nation which is still relevant to 21st Century politics. Thievery, corruption, unimaginative, autocracy, despotism, lying, uninventive, religion, tolerance and absent of liberty are all topics of observation and thought provoking as the Russia that came after the authors demise. The reader can relate how imperialism transformed into a revolution that morphed further into suppression of millions and millions of people while others lives were extinguished without the ability to experience liberty and the pursuit of happiness..There are so many poignant statements the author makes in his travel writing and too numerous to state here. I do believe that this book deserves further review and as such I will quote or paraphrase several of the author's observations from his travels....and it is up to you if they are relevant in 2014--almost 200 years later!"Wealth in Russia is the food of vanity""The Russian people are accounted very religious; it may be so: but what kind of religion can that be which is forbidden to be taught? They never preach in the Russian Churches. The Gospel would proclaim liberty to the Slavs.""The somber cathedrals of the Kremlin, with their narrow vaults and thick walls, resemble caves, they are painted prisons, just as the palaces are gilded jails....so of the wonders of this architecture--they are horribly beautiful.""Despotism discourages and casts a spell of indifference even over minds that are the most determined to struggle against its glaring abuses.""We can not save one part of the world by deceiving the other."I hope you will add this to your reading repertoire on Russian literature and historical analysis.
"Letters from Russia" is a remarkable travelogue by Adolphe De Custine - a somewhat haughty Frenchman - who travelled to Imperial Russia in the middle of the 19th century.De Custine himself was the descendant of aristocrats - his father and grandfather were both executed during the Terror in the aftermath of the French Revolution. De Custine was certainly convinced of the superiority of the aristocracy and Catholicism but was not taken with the Russian incarnation of these institutions.What makes this book so interesting is De Custine's incredibly perceptive comment on the Russian psyche, which so easily explains how Russia could move from the tyranny of the all-knowing, all-powerful Tsar to the totalitarianism of the Communist regime.De Custine writes in a florid, sentimental style, typical of the age, which makes this long book somewhat heavy going. However, there are plenty of zingers along the way and many beautiful descriptions of the Russian landscape to keep the reader entertained.Probably not recommended to the average reader, but for students of Russian history this is certainly a "must-read".
Fantastic and timeless observations. We are now in the 21st Century and Custine's observations are still no dated at all. Highly recommend this classic.
This is the seminal book to read to understand the Russian character and culture. Written in 1839, this work still describes the Russian heart as accurately as Democracy in America reveals the 1835 and 2015 American
I recommend it to anyone who wants to know the culture, then and now. Russian is my third language.
The author's insightful observations about Russia, its political system, its society and most importantly the psyche of its people...is shockingly spot-on.Even today most of de Custine's observations are really impossible to dispute. So much so, that in reading the accounts I recognised Russia as it appears today: whether through news, through people I personally know, partially myself, and especially through its current "emperor". There is a very good reason this book was banned in Russia. Its people's aversion to the uncomfortable truth about themselves is legendary.If anyone wishes to understand the Russian psyche, there is literally no other book in existence (specifically one written by a westerner) that comes even close to accurately describing the way Russians think and live. This book is a must-read for anyone in the diplomatic corps, for journalists and Russia experts in general.
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Free Ebook On the Run: Fugitive Life in an American City, by Alice Goffman
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Review
“Extraordinary.†―Malcolm Gladwell, The New Yorker“A remarkable feat of reporting…The level of detail in this book and Goffman's ability to understand her subjects' motivations are astonishing--and riveting.†―The New York Times Book Review“Necessary… Goffman's lively prose--communicated in a striking voice rare for an academic--opens a window into a life where paranoia has become routine… She goes beyond her street-level focus to argue something more profound.†―Baltimore City Paper“Alice Goffman's On the Run is the best treatment I know of the wretched underside of neo-liberal capitalist America. Despite the social misery and fragmented relations, she gives us a subtle analysis and poignant portrait of our fellow citizens who struggle to preserve their sanity and dignity.†―Cornel West
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About the Author
ALICE GOFFMAN grew up in Philadelphia and attended graduate school at Princeton University. She teaches in the sociology department at the University of Wisconsin-Madison. She is the author of On the Run: Fugitive Life in an American City.
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Product details
Paperback: 304 pages
Publisher: Picador; Reprint edition (April 7, 2015)
Language: English
ISBN-10: 1250065666
ISBN-13: 978-1250065667
Product Dimensions:
5.5 x 0.8 x 8.2 inches
Shipping Weight: 8.5 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
181 customer reviews
Amazon Best Sellers Rank:
#30,090 in Books (See Top 100 in Books)
While not without its problems, I've taught this book several times now in my anthropology courses. It's a compelling book. The ethical, methodological, and epistemological challenges make for great discussions in class. My biggest complaint-- by far the most interesting and thought provoking part of the book is the almost ignored methodological "note" in the back of the book. This "note" is longer than several of the chapters and is CRITICAL to the book. Why does Goffman try to hide it at the end. You must read the "note" to really understand the whole book and Goffman as an ethnographer. I hope in subsequent editions it is upgraded to chapter status and placed toward the front of the book.
I really was awed by this book (and am puzzled by what one reviewer (below) has written). Goffman herself came from a privileged and educated background and chose to live for six years (on and off, but I think mostly on) in a poor, black, run-down, and drug-infested area in Philadelphia. One of her main interests was the interaction of police and dropout males from this district. How do children grow in unsafe environments? What happens when there is so much policing brought into the lives of young people? She also contrasts kids who grow up dirty and who grow up clean. She talks about the repetitive violence from drugs and guns (and fists or baseball bats or bricks into car windows), the ties that bind these families together (or forces that stress them apart), the lives of the genders, motherhood, girlfriend-hood, and problems of being a short, pretty white girl in an entirely black area.I am no expert, but I think this will be a classic ethnography in American anthropology and sociology.There are some things that Goffman does not talk about, but these were beyond the charge of her research. Specifically, while the presence of police brutality is documented, I was left curious about how the young police officers were inculcated into this blue culture. What holds their "blue family" together? What do police officers do with their fear (other than try to "take control")? At what point of induction into being a police officer does fear and stereotypy become the motif of life?Add (9-30-18) I did find a good book on this question: Moskos, Peter (2008) Cop: My year policing Baltimore's Eastern District. Princeton Press. Available on Amazon. Moskos graduated from college and joined the Baltimore police force as a rookie. He is scathing about his six-month training, which taught him nothing outside of legal strictures and how to write reports. One of his observations is how police cars detract from getting to know a neighborhood, but all police hate foot patrolling (it is hard, no computers, no flashing lights, seen as a punishment) and thus police really do not know the people of the area. The final chapter is "Prohibition: Al Capone's revenge," a comment on how prohibition actually makes the border between police and the people far more difficult than would legalized drugs and medical care.
This book is horrible. The author calls herself a researcher while engaging in abhorrent, unethical research practices. Her focus on low-income black men who are involved in crime feels like a beleaguered stereotype. As an educated upper-class white woman, this story was not Goffman’s to tell. This book has earned her profit and credibility in her field; she has profited off of black suffering. Do not buy this book.
This book is interesting and thought provoking. I work in the field, and this book made me realize things that never occurred to me. It is obviously not all encompassing but she did good work here.
Goffman repeats herself constantly throughout the entire book and the stories are written as if they were being told from a child. I had to read this for a Sociology class and gave the book away when I was finished.
Fascinating account of research. Recommended for those who want to see an extreme example of research in the field.
It was an interesting book learning about the experiences but felt like the author only blamed the police instead of the individuals. Either a balance or simply stating the facts would have been better in my opinion.
As a middle class American, I have a hard time getting past, "Why don't they just . . ." People on the whole make rational choices including the American poor. This book give the back story - aa must read for understanding poverty today.
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International Fuel Gas Code 2006 (International Fuel Gas Code)
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About the Author
ICC is a leading organization dedicated to developing a single set of comprehensive, coordinated national model construction codes. To date, 48 U.S. states have adopted various international codes from ICC.
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Product details
Paperback: 164 pages
Publisher: ICC (distributed by Cengage Learning); 1 edition (March 6, 2006)
Language: English
ISBN-10: 1580012698
ISBN-13: 978-1580012690
Product Dimensions:
8.5 x 0.5 x 11 inches
Shipping Weight: 1.1 pounds
Average Customer Review:
4.1 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#531,905 in Books (See Top 100 in Books)
I've been in the plumbing construction business for over 15 years. The plumbing code book and gas-fitters code book read like a set of instructions rather than a user friendly guide. It's like reading a play by Shakespeare; you have to actually see the play or or look at cliff notes to thoroughly understand its real meaning. There are so many references to other code books and vague inferences in the chapters that make it frustrating to the plumber who really wants to grasp the engineering principles and not just pass the test and get a card. Experience is just as important as book knowledge. That is hard to come by in the construction business. There may be some good plumbers but there are very few good leaders. Usually one learns from their mistakes. The lack of understanding and substandard installation in plumbing can only lead to property damage and embarassment. However, when installing gas piping and fixtures a poor installation could cause death.
The product was ok when it shipped, it was shipped awkwardly and I think it caused more damage to the book than was listed. Other than that it is ok, I would not have listed it as what the seller listed it as, kinda false advertisement...
good job
Condition is great.
I like the ringed binder, easy to flip thru the pages. Shipped very quickly. Print is easy to read. Pages are clean, no wrinkles. Good quality.
Because I got just what I asked for so this is why I rated this item like this it's the truth
Very prompt exactly what I needed
How can anyone give a code book a good review? When will they come with a few diagrams or pictures? So many failures in industry due to confusion in the interpretation. I've been in court where even the judge can't figure it out. Gotta buy them though so it's a no-brainer!
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Download PDF Bad Moon Rising: A Dark-Hunter Novel
Download PDF Bad Moon Rising: A Dark-Hunter Novel
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Bad Moon Rising: A Dark-Hunter Novel
Download PDF Bad Moon Rising: A Dark-Hunter Novel
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Audible Audiobook
Listening Length: 11 hours and 25 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Macmillan Audio
Audible.com Release Date: August 4, 2009
Whispersync for Voice: Ready
Language: English, English
ASIN: B002KE9BUY
Amazon Best Sellers Rank:
It has been about two years since I've purchased any of the Dark Hunter Novels as they were not available in bookstores in India. Once I purchased my Kindle I did start reading them again, however the list of characters was so long it began to swirl in my mind and so I stopped at Wren's story. Recently, I decided to go back to the series and see if it was as good as I remembered.I had always loved Fang so I purchased "Bad Moon Rising". It was nice. It should have been awesome. Throughout the Dark Hunter novels that I own the longing between Fang and Aimee seemed so poignant. I was truly looking forward to seeing how they could finally come together. I was left wanting.I can say I had no problem with the Thorn portions of the story although the introduction of a new type of player had me wondering why Kenyon insists on prolonging a series by creating new species instead of creating a new series separately. Having were-hunters and their embelishments and dark-hunters and their embelishments in the same series was confusing enough. I kept hoping for a glossary of terms just to remember what was what. Now we have daimons and demons. Please.I can say I didn't have much of a problem with the book beginning from the time Fang and Aimee met. After all if someone picked this up without reading the previous novels in the series it would have been very confusing. As it was I found myself exiting the story too many times by trying to remember what the back story of many of the scenes were. Talon's Story, Valerius', Vane's, Wren's. My issue of using the previous stories makes up in my opinion almost 3/4 of the story. Granted we get to see some of the kissy kissy that was going on that we were unable to see in the earlier stories, but it wasn't enough. As another reviewer stated, I was told that they loved each other, not shown. I truly didn't get a lot of zing that I had gotten with the earlier novels.Issues I do have include:There are that huge spans of time that are just jumped over. Three lines and three months pass without understanding how either Fang or Aimee were feeling. Just a couple of lines thrown in to say they felt bad. This made the book actually feel more like an outline than a novel.An entire new mythology is being introduced inside a Dark Hunter novel. Maybe I missed something in one of the few books in the series that I haven't read but by looking at the synopsis of the other books I don't think so. Shouldn't there have been a novel just on the Demon stuff and then the two universes merged? Once again I come to the concept that this should have broken into separate series.Family is a major theme in this novel. However, most of the novel is with everyone keeping secrets and being angry with families. Mistrust and anger very little comfort. There were several family time's mentioned, but once again these scenes seemed more like statements from an outline than true emotional family scenes .In conclusion, this story has been interspersed through so many others. It deserved a good in depth piece. I'm glad I was able to see the Fang/Aimee denouement, but too much was missing. I realize 349 pages is not a small book. However, with the breadth of time this story took, with the introduction of a new mythos, with so many previous characters that needed to participate in this story and most important with the love story arc of the series; I wouldn't have minded another 75-100 pages if I could have caught my breath, cried or just felt that zing.
There is SO MUCH that happens in this book. Beyond the fact that it spans several years as we get to follow Fang and Aimee's slow-budding relationship, we get new levels to the already complex world that Sherrilyn Kenyon had built. A shadowy figure emerges who might be on the side of good and we get to see more facets of the Were-Hunter way of life.If I take a really broad look at their relationship, most of the issues that keep Fang and Aimee apart come from Mama Peltier. She's kinda a stubborn old bear and she rules the family with an iron fist. While I get that Aimee felt that she had to do her duty to the family line and mate with a were-bear, doesn't fate have something to do with her chosen mate? Simply ignoring her feelings for Fang while she continues to look for the bear that's going to make her panties burst into flames doesn't seem like it's going to work really well.Anyway. Fang's injury opens up a whole new level of crazy with what he encounters when he's half dead. I am SO CURIOUS how all this will eventually tie in together. Sherrilyn Kenyon's brain must be this insanely fantastic place that's both horrifying and awesome all at the same time.We get to see some old favorites and a different point of view on some of the events that took place in earlier books. Souls are bartered, love is unearthed, and new danger is revealed.Rereading this series has been pretty fantastic.-Kelly @ Reading the Paranormal
So, I've read the first book in the Dark-Hunter series Night Pleasures... and that was it. Not that I didn't like the book but that was all my library carried. So skip forward a month to me cruising books on amazon that are on sale. Which is where I find this gem. I wasn't sure if I was going to be able to skip so many books in the storyline but this book reads as a stand alone just fine. At no point was a lost as to what was going on. Now granted I may have connected more with the secondary characters a bit more but I loved the story.The story starts off with Fang, his brother and fellow wolf pack members going into a bar. (yes I realize this sounds like the start of a corny joke). It turns out that the bar is run by were-bears and the bar is a neutralized zone. So when were-jackals show up and not only attack the owners of the bar but threaten the life of Aimee, the bears sister and daughter, the wolves take action. They were brought up to hold females in the utmost respect and to protect them at all costs. What isn't acceptable is inter-species relations. Which just so happens to snowball between Aimee and Fang after the jackal incident.Now yes there is forbidden romance but there is so much more to the story than that. You have two separate species that you follow in this book. We have the bears and the wolves. Now, most shifter books tend to be about wolves and I'll be honest... some subjects like mating were brought up in this book that I hadn't seen in other shifter books. I'm not talking about the "we're mated for life" but the fact that after they get a mate mark, if they don't seal the deal then the male goes limp noodle for the rest of his life. Or that females can be rather ahem, rough shall we say during the horizontal tango. I also liked the aspect of the families in this story. Both Fang and Aimee have close family members that they cherish and would die for. Not to mention the war that's waging against Aimee's family and Fang's personal war with his demon. This is a novel that will leave you wanting for nothing.-Book Sniffers Anonymous
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Download PDF Improvise: Scene from the Inside Out
Download PDF Improvise: Scene from the Inside Out
This letter might not influence you to be smarter, yet the book Improvise: Scene From The Inside Out that we offer will stimulate you to be smarter. Yeah, at least you'll know more than others who don't. This is what called as the high quality life improvisation. Why ought to this Improvise: Scene From The Inside Out It's considering that this is your favourite motif to read. If you like this Improvise: Scene From The Inside Out theme about, why don't you check out guide Improvise: Scene From The Inside Out to enhance your discussion?
Improvise: Scene from the Inside Out
Download PDF Improvise: Scene from the Inside Out
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Review
Award-winning director and experienced improv instructor Mick Napier presents Improvise.: Scene from the Inside Out, now in an expanded and revised second edition with additional tips, tricks, and techniques as well as a full reproduction of Napier's web journal from his time directing "Paradigm Lost" for The Second City. Chapters teach the reader about the oft-misunderstood art of improvisation - creating performance art (comedy, drama, or what-have-you) on the spot with no script, whether by oneself or as part of a group. Topics covered include how to use context to one's advantage, two-person scenes, balanced large-cast scenes, advice for successful auditioning, solo exercises one can practice at home, and much more. Actors of all walks of life (whether their primary venue is improv-heavy or not) will directly benefit from Napier's expertise; comedian and talk show host Stephen Colbert certainly did, as he testifies in a brief yet hilarious foreword! --Midwest Book ReviewMick Napier's Improvise contains excellent examples of actual development of improvisational ideas, showing how dialogue can be improvised and developed with specificity. The Wizard of Oz example is often used, and makes it easy to identify with each of the techniques as they are introduced. The book contains many practical ideas throughout and the breadth of the book is excellent, especially for those who are serious about considering entering the world of improvisation professionally or even as a hobby. Further, audition techniques and a journal from his work with Second City take us into the real world of improvisational theater and help many who are interested in moving in that direction. Mick Napier has really created an exceptional handbook for improvisation. --Reader's FavoriteNapier, founder of Chicago's Annoyance Theater and a veteran Second City director, is the author of my favourite how-to improv book, Improvise: Scene from the Inside Out. --Chris Hannay, Improv Embassy, Ottowa, Canada
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About the Author
Mick Napier is the founder of the acclaimed Annoyance Theatre in Chicago and New York, as well as aDirector and Artistic Consultant for The Second City, the most influential and prolific comedy theater in theworld. Napier is known both nationally and internationally as an innovator and creative force in comedy,improvisation, and theater.With the Annoyance, Mick has spent more than 25 years developing and cultivating a style of work andproduction that has been both acclaimed and imitated. As a Director and Artistic Consultant for the globallyrenowned Second City, he made his mark, having directed more than 10 revues there including the 40th and 50thAnniversary revues, and Paradigm Lost, which earned him a Joseph Jefferson Award for Direction. Throughouthis career, Mick has directed such high profile actors and writers as Aidy Bryant and Vanessa Bayer (Swear Jar),Tina Fey, Jason Sudeikis, and Stephen Colbert (The Second City), Martin Short (Martin Short & Friends,) JeffGarlin (I Want Someone to Eat Cheese With), and David and Amy Sedaris in their Obie Award-winning hit OneWoman Shoe.
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Product details
Paperback: 272 pages
Publisher: Meriwether Publishing Ltd; Second edition (August 17, 2015)
Language: English
ISBN-10: 156608198X
ISBN-13: 978-1566081986
Product Dimensions:
5.5 x 0.8 x 8.5 inches
Shipping Weight: 7.8 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
86 customer reviews
Amazon Best Sellers Rank:
#37,528 in Books (See Top 100 in Books)
"Annoyance-Style Improv" is not what the general public pictures when the words "improvisational theater" come to mind, yet the Annoyance Theater and its alumni have had a grand impact on improv worldwide - an influence that is continuing to be felt well outside of Chicago.For most students of improv, "Impro" by Keith Johnstone is still considered the primary reference. Mick Napier has written a book that is arguably every bit as (or more) important. In a relatively short manual, Napier discusses how to create more natural work that breaks many of the traditional rules and conventions of improv and stands on its own.I have been producing and directing improvisational theater since 2004 and, for the past several years, this book has been required reading for every single person who has entered the group. I cannot recommend it highly enough.
So far I've read Chalma Halpern's "Truth in Comedy", Viola Spolin's "Improvisation for the Theater", Keith Johnstone's "Impro", and now this book, and I would say this one has the most useful information as far as *becoming a better stage improviser" goes. What I mean is that it is full of tips, advice, and useful things to consider, and seems meant for someone who has already knows a little bit about the BASICS. Mick Napier asks the reader to rethink some of the "rules" that the basic improv teaching lays down, while adding some important insights of his own.In this sense, I think that "Truth In Comedy" is the best INTRO to improv, for someone just starting out. Then, I'd recommend "Improvise: Scene From The Inside Out" as a necessary followup, and then Keith Johnstone's "Impro" as a whole new viewpoint and also a deeper insight into the philosophy of being in the moment. (By the way, I would avoid the Viola Spolin book - it's written in a strangely stilted, boring, hard-to-read style, and really contains no memorable information).Particularly useful in Napier's book are the "Exercises To Do At Home", which is something I've been looking for - most other books have exercises which are meant to be practiced in a group setting.I found the chapter on "Improvisation & the Second Law Of Thermodynamics" to be unnecessary though - it didn't really add anything and seemed to be sort of a weird tangent. Luckily, it's short.Anyhow, after reading this book I really do feel as if I understand a lot more about what separates a "great" improviser from a merely "good" one. Now comes the hard part - PRACTICING & GETTING UP THERE AND DOING IT!!!P.S. I was recommended this book by Dustin Sharpe, my Improv instructor at the Acting School of South Florida, and also a member of the awesome improv group Mod27. Thanks Dustin!
Really enjoyed this book, especially that it provides tangible exercises you can do with a group or individually, and provides concrete/real-life examples of dialogue and situations as examples. A very practical book for improvisers! I reference different parts of it often just to keep certain skills top-of-mind.
I've taken 4 levels of improv so far, so I'm at an intermediate level. This book contains specific exercises you can do, specific things you can try, specific advice you can apply, and specific things to think about - no fluff, just great writing. It's fun to read this book even if you don't need to improve your improv!
Great book. Different philosophy about improv than other books I've read on the subject. Great exercises you can do by yourself to improve your skills.
Mick Napier claims to not lay out any rules. Not strictly true, but the point holds: thinking about what to do and what not to do won't help you advance a scene. Napier's new rules and explanations should help anyone who's done some improvising, and knows the feeling of a scene never taking off. If you don't know that feeling, I'm not sure that this book will connect.I found 'Improvise' much more helpful than 'Truth in Comedy' for actual scene work and, as everyone notes, less preachy and self-congratulatory. That's not to say that 'Truth' isn't worth your time, just that if I had to pick only one it's this one.Also, Napier includes exercises that one person can do on their own, which I found very helpful. These are mainly oriented toward developing mental muscles that allow you to make bigger, quicker leaps in thought, and get comfortable with first thoughts and going with your gut. So, good exercises for just being a human.
This is my favorite book about improv. Mick Napier builds up improv with a deep understanding of humor, performance and the self. It's not about rules, it's about strategies, motivations and goals. He has a number of concrete exercises I use for myself and with students.
I've been needing to add improv skills to my acting resume for a while now, and had several books on my wish list. Then I got the chance to take a class, which recommended this book. Improvise: Scene from the Inside Out is quite possibly the only improv book I'll ever need!It is easy to read, explains "The Rules" clearly and also explains why _not_ to follow them (or at least get them out of your head), and I was able to put the suggestions to work in class straight away. The examples of good and bad improv scenes for each situation/suggestion make it clear that the death of improv is being in your head too much.I think even actors who go from the outside in for their characterizations will be able to follow and use this book, and I also believe that people with no acting or improv experience whatsoever will be able to skip the "bad" area of the improv meter and spend less time in the "dork" area before hitting the "great"!
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